Interview with Lisa Salazar

Lisa Salazar is a Canadian transgender advocate, graphic designer, photographer, educator, and author whose life story is a testament to resilience, courage, and the pursuit of authenticity. She has devoted most of her professional life to working as a self-employed graphic designer, navigating the challenges of underemployment while maintaining her dedication to creative excellence and personal integrity. Lisa is the author of Transparently: Behind the Scenes of a Good Life, a heartfelt and insightful account of her journey through gender transition, personal growth, and the search for self-acceptance. Transitioning at the age of fifty-eight, she faced profound emotional, social, and spiritual challenges, including reconciling her Christian faith with her gender identity, confronting societal prejudices, and overcoming personal fears. Despite these obstacles, she found a sense of authenticity and peace that has become central to her life.

 

Lisa’s advocacy work began almost inadvertently, sparked by public speaking engagements and writing OpEds that drew attention to transgender rights and issues in Canada. She has used her voice to educate communities, challenge misconceptions, and promote understanding both within the LGBT+ umbrella and among broader audiences, often highlighting the unique struggles faced by transgender individuals. Her work is deeply personal, informed by her experiences as a mother, a former spouse, and a member of multiple faith and cultural communities. Beyond activism, Lisa dedicates herself to helping transgender individuals and their families navigate the complex social, medical, and emotional aspects of transition, combining compassion with practical advice. Her journey has also emphasized the importance of health, self-care, and perseverance, demonstrating that even later in life, transformation and fulfillment are possible. Through her writing, advocacy, and everyday example, Lisa inspires others to live authentically, confront challenges with courage, and embrace the fullness of their identity.

Interview with Sofie Ward

Monika: Today I would like to introduce to you Sofie Ward, a Swedish transgender musician, blogger, activist, and community leader. She grew up in Hässleholm, a small town in southern Sweden. Sofie is a member of the Zip of Fire band and a student at the Linnaeus University in Växjö. Hello Sofie!

Sofie: Activist and community leader seems a bit excessive. I just try to do my part in life. ;)

Monika: What are you doing these days?
Sofie: Right now I’m studying "Art with a specialization in Cultural Leadership" at the Linnaeus University in Växjö here in Sweden.

Monika: You are a member of the band named "Zip of Fire". How did you start playing together?

Sofie: Well, I knew the drummer since before, and had worked with the guitarist. When their old bass player decided to invest in another band, I was the obvious replacement.

Interview with Aleshia Brevard: Part 3

Monika: Aleshia, in our previous conversation you stated that your true acting career took place in the theater. How would you compare these two artistic worlds?

Aleshia: Ah, Monika, that is a subject on which I could easily drone on for hours, one on which someone could write a book – and indeed many have. Accomplished actors still argue over whether performance styles must differ markedly between stage and film. I tend to agree with those artists who argue successful acting for film is more self-contained. The film is the more intimate medium. Obviously, on stage, the play’s ideas are projected into a three-dimensional space peopled with actors whose goal is to reach and move the theater audience. This requires a project of both voice and manner. Even with a long run of the play, the actors must speak their lines as though they had just thought of them, the “illusion of the first time.” I would further contribute that theater appeals to feelings first and to intellect second.

Interview with Aleshia Brevard: Part 2

Monika: Today I would like to focus our interview on your movie acting. Your first movie role was Sherry in „The Love God?” (1969). Did you have to go through any auditions to get the role? How did it feel to be an actress for the first time?

Aleshia: Oh, yes, Monika, Universal had seen every tall redhead in Hollywood by the time I auditioned. That, at least, is what I was told by my agent, with whom I’d just signed. I was so new in the business that I didn’t even have headshots – which almost proved my undoing. Some Universal executives feared I might not photograph well on screen but the director, Nat Hiken, fought for me. Bless that man! I was absolutely stunned by my good fortune, loved every single moment of the process, and promptly buckled down on set to learn my craft. It was a glorious experience.

Interview with Vandy Beth Glenn

Monika: For today's interview I have invited Vandy Beth Glenn, an American writer, public speaker, and transactivist from Georgia. In 2007, she was dismissed from her job as a legislative editor at the Georgia General Assembly when she informed her supervisor, Sewell Brumby, of her transgender status. Following a lawsuit, her Glenn v. Brumby case became instrumental for the rights of transgender people that were discriminated against at work because of their transgender status. Hello Vandy! It is very kind of you to agree to be interviewed for “The Heroines of My Life”!

Vandy: Thank you! I’m happy to participate.

Monika: What are you doing for a living these days?

Vandy: I’m back at my job at the Georgia General Assembly, the job I was fired from for transitioning.

Monika: Where did you grow up?

Vandy: Here in Atlanta, Georgia.

Monika: Could you describe your childhood? When did you feel for the first time that you should not be a boy or man?

Vandy: My childhood was completely ordinary until I reached puberty. That was when I began to realize I was not like the other kids.