Interview with Giselle Donnelly

When you first look at Giselle Donnelly’s résumé, you might expect to meet someone who only speaks in policy briefings and Pentagon jargon. She’s an Emerita Fellow at the American Enterprise Institute, a specialist in national security and defense, a former staffer on the U.S. House Armed Services Committee, and the co-author of major strategy documents that helped shape American military thinking. She’s also worked as a journalist and editor, covering everything from the Gulf War to Somalia, and has been at the center of Washington’s biggest debates for decades. In short: Giselle knows her stuff. But that’s just one side of her story. The other side is deeply personal, and a lot more colorful. In 2018, after years of living a secret life, Giselle transitioned and began living openly as a trans woman. She credits her wife, Elizabeth Taylor (yes, that’s her real name!), with guiding her out of the shadows. Elizabeth runs a makeover studio for transgender women, and she spotted the truth about Giselle before Giselle herself did. Together, they’ve built a life filled with love, laughter, and music.

Interview with Jaycee Frances

Monika: Today I have the pleasure of presenting to you a talented musician from the sunny state of California. Jaycee Frances is an American guitarist and former member of such bands as Chaintown, The Next, Crucifix, Proudflesh, The White Trash Debutantes, Piston and Fang. Hello Jaycee! Rock & Roll never dies, Sister!

Jaycee: Hello Monika, Yes! Rock & Roll lives forever. It’s a pleasure meeting you and thank you for inviting me to be part of your focus on the wonders of Transgender.

Monika: How did you become a guitarist? Do you remember your first guitar?

Jaycee: My first guitar was a snare drum and sticks! Lol… I started out as a drummer and one of my two older sisters Kim had an acoustic guitar and I sorta borrowed it like I did her clothing and bicycle and made it my guitar. I painted it blue and I put fuzzy hang ten surfer feet stickers on it to disguise it. (This was in the 1970s) so that was my first guitar. Then my dad bought me a cherry red 1967 Gibson SG special and I traded it for a Flying V.

Interview with Lily Gist

Monika: Frida Kill is a Brooklyn-based intersectional feminist punk band. It consists of Lily Gist, Jeanette D. Moses, Maria Lina, and Gaby Canales. And today I am meeting Lily Gist to talk about her inspirations, being a trans artist, and her artistic perception of the world.

Hello Lily! You are a perfect example that punk rock is not dead!

Lily: Hi Monika! So are you, I just play loud music.

Monika: I always associate punk music with authenticity and equality. Is it difficult to achieve this with four strong-minded, charismatic ladies with different backgrounds and experiences?

Lily: We’re very different people from very different backgrounds. The other three don’t know what it’s like to be trans and I don’t know what it’s like to be Black, Hispanic, Jewish, from an immigrant family, or to have a pastor for a father. We all lead and support, fill multiple roles, different songs have different singers and we swap instruments often. Navigating each other’s differences can be complex work sometimes but we all have each other’s backs 100% and even when we argue or push each other’s buttons we listen and learn.

Interview with Stacy James

Monika: Today I am talking to Stacy James, an American musician and guitar virtuoso from Los Angeles, the founder of two bands: Dante's View and Death Valley Daisies. You can follow her guitar masterpieces on her YouTube vlog "Stacy James Guitar". Hello Stacy! 

Stacy: Hi Monika! Thank you for having me and thank you for your support of our community!

Monika: Jimi Page used to say that every guitar player inherently has something unique about their playing. They just have to identify what makes them different and develop it. Have you done it yourself?

Stacy: I feel like I have. I've been playing guitar for over 30 years, and in guitar they say "it's all in the hands" which yes, takes time to develop. It took me time to develop a guitar technique that is like one's thumbprint or DNA on your music, like a vibrato. It can be just how you touch the guitar. I feel if you can combine developed skill and technique, you're almost there. Last would be note choice or how you choose to express your techniques through notes themselves. It's all about finding your own personal expression through the instrument.