Interview with Ai Haruna

 

Ai Haruna (はるな愛, Haruna Ai), born on 21 July 1972 in Osaka, is one of Japan's best-known transgender women, a television personality, singer, actress, stage performer and entrepreneur whose extraordinary journey has taken her from a bullied child dreaming of becoming an idol to international fame and, most recently, to seeing her own life adapted for Netflix. From an early age, Haruna was drawn to femininity, music and performance. She loved Japanese idols and appeared in singing and impersonation programmes as a child, developing her passion for entertainment long before she had the language or freedom to fully understand herself. Away from the stage, however, her adolescence was marked by severe bullying and pressure to behave in a way others considered properly masculine. In her autobiography, Subarashiki, Kono Jinsei (This Wonderful Life), she later revealed a far more difficult private life behind her glamorous public image, including her father's debts and violence, bullying so severe that she contemplated suicide, the awakening of her sexuality, working as a hostess from the age of fourteen, a broken engagement and years of financial struggle. As a teenager, Haruna discovered Japan's newhalf stage world, where glamorous performers were living and working publicly in feminine roles. At seventeen, she entered that world herself, developing the skills that would later define her career, singing, dancing, impersonation, comedy and the ability to command an audience. She also tried to build a conventional music career, making an early record debut under the name Onishi Kenji. Her dream, however, was not simply to become known as a transgender entertainer. She wanted to become an idol and be recognised as an artist in her own right.

Interview with Jynx de Lygh

Jynx Geneviève de Lygh is a mother of five, a veteran of four combat tours, a helicopter mechanic and cybersecurity specialist, a transgender activist, and now a recording artist, Jynx has lived several lives before arriving at the woman she always knew was somewhere inside her. But perhaps the most remarkable part of her story is not how many battles she has fought, but how she has continued to find new ways to turn those battles into something meaningful. Music was there long before transition. As a young person growing up near Ithaca, New York, Jynx found something resembling peace with a guitar or a microphone in her hands. While the rest of the world seemed to be telling her who she was supposed to be, music gave her somewhere to breathe. Then came 23 years in the military, four combat tours, marriages, motherhood, and decades of trying to fit into a life that never quite felt like her own. At forty, Jynx finally began her transition. And, in what seems almost like a metaphor for her entire life, she refused to do things quietly.

Interview with Meghan Chavalier

Some interviews feel like work. Others feel like conversation. And then there are those rare moments that feel like sitting across from someone who has unknowingly walked beside you for years. Meeting Meghan Chavalier was one of those moments for me. As a transgender woman, I carry deep respect for the women who came before me, the ones who carved space in a world that was often openly hostile, so that the rest of us could breathe a little easier. Meghan is one of those women. She is not just part of transgender history, she helped shape it, with courage, creativity, defiance, and an unwavering sense of self. What struck me most about Meghan is not just her extraordinary life story, which spans stage performance, film, music, and writing, but her clarity. She knows exactly who she is, and she has never apologized for it. That kind of certainty does not come from ease, it comes from survival, from reinvention, and from choosing authenticity over acceptance, again and again.

 

There is also something deeply bonding about speaking to another transgender woman who understands the quiet things, the unspoken experiences, the moments of doubt and the moments of joy that only we truly recognize in one another. This interview is grounded in that shared understanding. It is not distant or clinical. It is warm, honest, occasionally funny, and deeply human. Meghan is an icon, yes, but she is also a storyteller, a sister, and a woman who has lived many lives without ever losing herself. I am genuinely fond of her, I admire her strength, and I am grateful she trusted me with her story. This conversation is not just about where she has been, but about what it means to live fully, on your own terms, and to leave the door open behind you for others to walk through. I hope you feel that as you read it.

Interview with Mandy Goodhandy

Navigating life as a transgender woman in the entertainment world demands resilience, authenticity, and a fierce sense of purpose, qualities embodied fully by Mandy Goodhandy, also known as Amanda Taylor. Born in Scotland and eventually making Toronto her vibrant home, she is often celebrated as Canada’s first trans woman stand‑up comedian and the first trans woman singer accepted into the prestigious TD Toronto Jazz Festival in 2016. With a career spanning decades, Mandy has worn many hats: singer, comedian, author, entrepreneur, and outspoken advocate. She’s the author of Just Call Me Lady: A Work of Completion, a memoir that charts a powerful journey from hiding her true self to emerging whole, with humour, courage, and clear-eyed honesty. 

 

Mandy co‑owned and co‑operated Club 120 and the 120 Diner in Toronto (formerly Goodhandy’s Nightclub), hosting her iconic weekly T‑Girl parties that created safe, affirming spaces for trans women and allies starting in the early 2000s. And when that chapter closed, she rose again, continuing music, comedy, book projects, and public speaking with unwavering passion. In this candid and compelling conversation, Mandy reflects on choosing her name, navigating transition, breaking creative ground, and amplifying trans stories on stage, screen, and in print. Her voice is bold, her humour is sharp, and her commitment to visibility is unwavering.

Interview with Lilith Primavera

Monika: Lilith Primavera is an Italian actress, singer and LGBTQI+ activist, one of the beloved faces of the TV series “Le fate ignoranti”, directed by Ferzan Özpetek. She was born in Rome and has worked in various professions such as a radio host, author, poet, and performer. She has also appeared in several films including “Mamma + Mamma” and “Anima bella”. As a singer, she has released several electropop singles such as “Vanilla”, Polvere e Pelle”, “Molto”, “Taboo”, “Goodbye My Lover”, “Vieni a Prendermi”, “Nuda”, “Quattro Parole”, and “AMAMI”. She has also given speeches at events such as Carla 2020, where she spoke about the importance of LGBTQ+ rights. Thank you so much for finding some time to chat with me.

Lilith: Thank you Monika and thank you for your precious research work.

Interview with Penelope Alizarin Conley

Monika: Today I have the pleasure and honor of interviewing Penelope Alizarin Conley, an American singer, musician, model, and transgender woman that shares her transition story on social media. Hello Penelope!

Penelope: Hello Monika! Thanks for having me.

Monika: Could you say a few words about yourself?

Penelope: I’m a transgender woman from Massachusetts, USA. I’m a musician, model, bicycle mechanic, and parent of two wonderful children. I’m so honored to do this interview.

Monika: Are you a professional musician? How would you define your music?

Penelope: Yes. I guess I’m a professional musician although I’ve never had lessons. I’ve been writing songs, and/or been in bands for most of my life without lessons. I’ve received some media and airplay over the years so I guess that’s kind of “professional”.