Michelle Ann Farrell is an accomplished American independent filmmaker whose career reflects both creative versatility and personal resilience. She is best known for her work as Director of Photography (DP) on 17 feature films, including Safehouse (2008), Bigfoot at Holler Creek Canyon (2006), and On Top (2012). Her portfolio also includes writing, producing, and selling scripts, establishing her as a multifaceted professional in the film industry. Farrell's journey into filmmaking began at the age of 40 with her debut project, Franky's Heaven. Prior to this, she managed a wedding video business, which provided her with technical experience and equipment that she later utilized to transition into full-time film production. Notably, in 2004, she served as DP on JuJu and worked in the electrical department on The Derby Stallion, featuring Zac Efron, Bill Cobbs, and Billy Preston.
In 2005, Farrell expanded her repertoire by participating in projects such as Smalltimore, Law & Disorder, Gray Matters, and the documentary Unraveling Michelle. The latter is a deeply personal and award-winning film that chronicles her own transition. Through this documentary, Farrell aims to challenge ignorance and prejudice, using her personal narrative as a form of activism. Farrell identifies as a filmmaker who happens to be transgender, emphasizing that her gender identity does not define her artistry. She is currently developing a new feature film titled Potato Girl, which features a predominantly transgender team, including DP Rachel Dunn, investor Mara Drummond, and actress Ashley Sky. Farrell views this project as a testament to the presence and pride of transgender individuals in the film industry. While not actively involved in politics, Farrell considers her work, particularly Unraveling Michelle, as a form of political expression. She advocates for visibility and acceptance of transgender individuals, believing in the transformative power of love and creativity, asserting that embracing one's true self is essential for personal fulfillment and societal progress.
Monika: Hello Michelle Ann! It's such a pleasure to have you here.
Michelle Ann: Hello Monika, I’m honored to do this interview, thank you. I always appreciate the opportunity to share my experiences, especially when it might help or inspire others. It’s also wonderful to connect with people who are passionate about storytelling and authenticity.
Monika: Were you always drawn to filmmaking, or were you practically born with a video camera in your hand?
Michelle Ann: Although I’ve always enjoyed photography and personally owned a video camera once many years back, I was not one of those people who made movies as a child. I’ve always enjoyed being creative, writing storylines and poetry, but not until I was 40 years old did I decide that I was going to shoot a movie. That movie, of course, was Franky’s Heaven. It was a turning point that changed the course of my life. I discovered that filmmaking could be a powerful way to combine all my creative passions into one medium.
Monika: Before diving into independent films, you ran a wedding video business. How did that experience shape your transition into filmmaking?
Michelle Ann: Yes, soon after Franky’s Heaven, I bought my business partners out and decided to use the movie gear to start my own business. In the beginning, weddings were the day job, but my goal was to one day leave that behind and do production full time. That’s what I do now, work production seven days a week, either in the office or out making money. The wedding work gave me valuable technical experience and taught me how to handle pressure and deadlines. It also gave me the confidence to manage my own projects and lead creative teams.
Michelle Ann: Although I’ve always enjoyed photography and personally owned a video camera once many years back, I was not one of those people who made movies as a child. I’ve always enjoyed being creative, writing storylines and poetry, but not until I was 40 years old did I decide that I was going to shoot a movie. That movie, of course, was Franky’s Heaven. It was a turning point that changed the course of my life. I discovered that filmmaking could be a powerful way to combine all my creative passions into one medium.
Monika: Before diving into independent films, you ran a wedding video business. How did that experience shape your transition into filmmaking?
Michelle Ann: Yes, soon after Franky’s Heaven, I bought my business partners out and decided to use the movie gear to start my own business. In the beginning, weddings were the day job, but my goal was to one day leave that behind and do production full time. That’s what I do now, work production seven days a week, either in the office or out making money. The wedding work gave me valuable technical experience and taught me how to handle pressure and deadlines. It also gave me the confidence to manage my own projects and lead creative teams.
Monika: In 2004, you were involved in some exciting film projects, including The Derby Stallion and JuJu. What roles did you play in those productions, and what were those experiences like?
Michelle Ann: Yes, I was DP on JuJu and worked electric on The Derby Stallion, which had Zac Efron in it, as well as Bill Cobbs and Billy Preston. It was a great experience to be on a professional set and learn from seasoned actors and crew. Being part of The Derby Stallion gave me a close-up view of how larger productions operate. Those projects gave me both confidence and connections that helped move my career forward.
Michelle Ann: Yes, I was DP on JuJu and worked electric on The Derby Stallion, which had Zac Efron in it, as well as Bill Cobbs and Billy Preston. It was a great experience to be on a professional set and learn from seasoned actors and crew. Being part of The Derby Stallion gave me a close-up view of how larger productions operate. Those projects gave me both confidence and connections that helped move my career forward.
Monika: The following year, you were incredibly busy with projects like Safehouse, Smalltimore, Law & Disorder, Gray Matters, and your deeply personal documentary Unraveling Michelle. What stands out to you most from that period of intense creative work?
Michelle Ann: Yes, I was DP on all of those movies, then did my own biological documentary, Unraveling Michelle. It won many awards and is true and honest. More women and men need to come out, and it is our time. I won’t accept the ignorance or prejudice. I now wish to use it to my advantage on my next feature, titled Potato Girl. That time in my life was both emotionally intense and creatively rewarding. The success of Unraveling Michelle gave me a renewed sense of purpose, not just as a filmmaker, but as an advocate for authenticity and change.
Monika: What is your general view on how transgender stories or characters have been portrayed in films, newspapers, or books so far? Do you think representation is improving?
Michelle Ann: In Potato Girl, we have me as director, my Rachel Dunn as DP, one of my investors Mara Drummond, and one of my actresses Ashley Sky in the movie. We are here and proud of it. It's important to show that trans people are not just stories, we are also the storytellers, creators, and visionaries behind the camera. I believe authentic representation starts with having us involved at every level of production. Too often, trans characters have been written by people who don’t know our realities. That’s changing, but there’s still a long way to go. When we tell our own stories, they become more honest, nuanced, and human. Visibility with authenticity is how we move from tokenism to real understanding.
Monika: Do you believe there is such a thing as transgender art? And what does it mean, in your view, to be a transgender artist?
Michelle Ann: I am a filmmaker who happens to be transgender, that’s all there is to it. My work is driven by creativity, passion, and the stories I want to tell, not solely by my identity. That said, being transgender does add a layer of perspective that naturally informs my storytelling. It's a part of who I am, but it doesn't define the entirety of my art.
Michelle Ann: Yes, I was DP on all of those movies, then did my own biological documentary, Unraveling Michelle. It won many awards and is true and honest. More women and men need to come out, and it is our time. I won’t accept the ignorance or prejudice. I now wish to use it to my advantage on my next feature, titled Potato Girl. That time in my life was both emotionally intense and creatively rewarding. The success of Unraveling Michelle gave me a renewed sense of purpose, not just as a filmmaker, but as an advocate for authenticity and change.
Monika: What is your general view on how transgender stories or characters have been portrayed in films, newspapers, or books so far? Do you think representation is improving?
Michelle Ann: In Potato Girl, we have me as director, my Rachel Dunn as DP, one of my investors Mara Drummond, and one of my actresses Ashley Sky in the movie. We are here and proud of it. It's important to show that trans people are not just stories, we are also the storytellers, creators, and visionaries behind the camera. I believe authentic representation starts with having us involved at every level of production. Too often, trans characters have been written by people who don’t know our realities. That’s changing, but there’s still a long way to go. When we tell our own stories, they become more honest, nuanced, and human. Visibility with authenticity is how we move from tokenism to real understanding.
Monika: Do you believe there is such a thing as transgender art? And what does it mean, in your view, to be a transgender artist?
Michelle Ann: I am a filmmaker who happens to be transgender, that’s all there is to it. My work is driven by creativity, passion, and the stories I want to tell, not solely by my identity. That said, being transgender does add a layer of perspective that naturally informs my storytelling. It's a part of who I am, but it doesn't define the entirety of my art.
To me, transgender art isn’t about a specific aesthetic, it’s about truth, vulnerability, and defying norms. It’s the courage to tell stories that don’t often get heard. Being a transgender artist means refusing to be invisible. It means reclaiming space, both on screen and behind the camera.
Monika: During your transition, did you have any transgender role models or figures who inspired or guided you along the way?
Michelle Ann: Yes, I had my friend in my documentary who said to me, “Do people like you?” I said, “Yes.” And there were some issues, but I have overcome them. I refuse to lose or be defeated. Her words really stuck with me, they reminded me to stay confident in who I am. Having even one supportive voice made all the difference during those early, uncertain moments. I think of her voice whenever I doubt myself. She helped me realize that self-worth isn't granted by others, it's something we claim for ourselves. It's those small moments of truth and encouragement that carry us through the hardest parts. And now, I try to be that voice for others whenever I can.
Monika: During your transition, did you have any transgender role models or figures who inspired or guided you along the way?
Michelle Ann: Yes, I had my friend in my documentary who said to me, “Do people like you?” I said, “Yes.” And there were some issues, but I have overcome them. I refuse to lose or be defeated. Her words really stuck with me, they reminded me to stay confident in who I am. Having even one supportive voice made all the difference during those early, uncertain moments. I think of her voice whenever I doubt myself. She helped me realize that self-worth isn't granted by others, it's something we claim for ourselves. It's those small moments of truth and encouragement that carry us through the hardest parts. And now, I try to be that voice for others whenever I can.
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| "Love gives us purpose and strength." |
Monika: What were the hardest parts about coming out for you? Were there specific moments or feelings that stood out during that time?
Michelle Ann: Facing people, my own self-doubt, and being ashamed of myself. I’m over that. It took time, but I learned to accept and love who I truly am. Once I let go of shame, I found a new strength that continues to guide me forward. Coming out meant peeling back years of fear and silence. One of the most difficult parts was wondering who I would lose, and who would still see me as worthy. But each honest conversation helped heal those wounds. The truth may scare people, but it also opens the door to real connection.
Monika: How do you view the current situation of transgender women in American society? Do you think things are improving, or is there still a long way to go?
Michelle Ann: They need to come out. Period. We are here and not going away. The more we show up, the more society will understand and accept us. Change takes time, but every voice and every story shared brings us closer to equality. We’ve made progress, but it’s fragile and constantly under threat. Anti-trans legislation and misinformation are real barriers we face daily. That’s why visibility must be met with action, support, and solidarity. We can't just exist, we have to keep pushing forward, unapologetically.
Monika: Do you believe transgender rights could represent the new frontier in the fight for human rights?
Michelle Ann: Yes, I coined it “the last prejudice.” Transgender rights are often overlooked or misunderstood, but they are at the heart of the ongoing struggle for equality. As more people become aware and supportive, it becomes clear that our fight is about basic human dignity and freedom. We are not asking for extra rights, just equal rights, the right to exist safely, to work, to love, and to thrive. Trans issues highlight the urgency of recognizing gender diversity as a fundamental part of human existence. When trans people are protected, it creates a ripple effect that uplifts other marginalized groups. This movement is a mirror, reflecting how far we’ve come and how far we still need to go.
Monika: Are you involved in politics or lobbying campaigns? Do you believe transgender women can make a significant impact in political spaces?
Michelle Ann: No, I am a walking coming out. My friends do, but I’m busy making a living and surviving. Movies like Unraveling Michelle are my obvious politics. I believe that by sharing our stories and living authentically, we influence society more than any political campaign ever could. Sometimes, the most powerful activism is simply being visible and true to who we are. I deeply admire those who have the time and energy to engage in formal politics. Their work creates the legal and structural changes we all need. Even if I’m not on the front lines, I know that my visibility adds weight to the cause. In the end, every role, loud or quiet, matters in pushing society forward.
Monika: How important is love in your life, and what role does it play in your journey?
Michelle Ann: I think God was bored and needed someone or something to love and created us. Yes, John Lennon was right, “Love is all you need.” Although paying the bills is pretty damned important as well. Love gives us purpose and strength, but it’s also the emotional fuel that keeps us going through the hard times. Without love, life can feel pretty empty, but with it, even the toughest challenges become more bearable. It doesn’t always have to be romantic love, friendship, family, community love all matter deeply. I’ve found that the love I give is just as vital as the love I receive. In my journey, love has helped me heal and find peace with parts of myself I once feared. It’s a reminder that no matter what we face, connection is what keeps us human.
Monika: How do you feel about fashion? Do you have a personal style or certain outfits you gravitate toward for different occasions?
Michelle Ann: I am not a fashion person. I wear what I like and what is appropriate for the occasion. Period. I don’t follow trends, but I do enjoy feeling comfortable and confident in what I wear. Sometimes, simplicity speaks the loudest, and I prefer timeless over trendy.
That said, I do appreciate when someone expresses themselves through fashion, it’s just not how I personally choose to do it. I believe style should reflect who you are, not what the runway dictates. If something makes you feel powerful, then that’s your fashion statement. For me, that’s often a good pair of jeans and a clean, crisp shirt.
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| At work. |
Monika: Many transgender women choose to write memoirs about their journeys. Have you ever considered writing a book to share your story, or do you prefer expressing yourself in other ways?
Michelle Ann: No, I simply did my documentary. I prefer the visual medium to tell my story, it feels more authentic to me. The documentary allows people to see and feel the experiences I went through, which, for me, is much more powerful than words on a page.
Michelle Ann: No, I simply did my documentary. I prefer the visual medium to tell my story, it feels more authentic to me. The documentary allows people to see and feel the experiences I went through, which, for me, is much more powerful than words on a page.
I’ve always believed that seeing someone’s face and hearing their voice can break down barriers in ways text sometimes can’t. The emotional connection a viewer can form with a real person on screen is incredibly impactful. That’s why I’ve focused on creating visual narratives that are honest and unfiltered. Still, I respect and admire those who choose to write their stories, it’s just not the path that resonates most with me.
Monika: Are you currently working on any new projects? Can you share some details about what you’re focused on right now?
Michelle Ann: Potato Girl and various other projects. Hey girls, do you need a cinematographer? LOL. We are also looking for investors for my film Potato Girl. Anyone interested? Email me at mfarrellaip@mac.com, and I’ll get you the information. It’s an exciting time, and I’m eager to bring these projects to life with the right people on board. The more support we have, the stronger the impact we can make.
Monika: What advice would you give to transgender girls who dream of becoming film directors?
Michelle Ann: I say this: Be anyone, anything you wish to be and be proud. Support the arts. Get active and be a nice person. Imagine if all the people didn’t care what or who you were but simply asked, 'Can you do the job?' Hey girls/guys, Facebook friend me at Michelle Ann Farrell and let's stand up for ourselves. We are here and proud of it. Support trans people and movies, and get the word out. We can only overcome if we stand up together. The world needs to see us for who we are and what we can do, not just what we’ve been through. Michelle has left the building. LOL That’s an Elvis thing.
Monika: Michelle Ann, thank you for the interview!
Monika: Are you currently working on any new projects? Can you share some details about what you’re focused on right now?
Michelle Ann: Potato Girl and various other projects. Hey girls, do you need a cinematographer? LOL. We are also looking for investors for my film Potato Girl. Anyone interested? Email me at mfarrellaip@mac.com, and I’ll get you the information. It’s an exciting time, and I’m eager to bring these projects to life with the right people on board. The more support we have, the stronger the impact we can make.
Monika: What advice would you give to transgender girls who dream of becoming film directors?
Michelle Ann: I say this: Be anyone, anything you wish to be and be proud. Support the arts. Get active and be a nice person. Imagine if all the people didn’t care what or who you were but simply asked, 'Can you do the job?' Hey girls/guys, Facebook friend me at Michelle Ann Farrell and let's stand up for ourselves. We are here and proud of it. Support trans people and movies, and get the word out. We can only overcome if we stand up together. The world needs to see us for who we are and what we can do, not just what we’ve been through. Michelle has left the building. LOL That’s an Elvis thing.
Monika: Michelle Ann, thank you for the interview!
All the photos: courtesy of Michelle Ann Farrell.
© 2014 - Monika Kowalska
Michelle Ann Farrell has gently crossed over to the other side, leaving behind a legacy of grace, kindness, and unwavering love. May she now find the boundless joy and peace she so freely gave to others in her lifetime. Her presence touched countless hearts, and her spirit will live on in the many lives she uplifted. Thank you, Michelle, for everything, for your light, your compassion, and your strength. Rest in peace, beautiful soul.
27 December 2015
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